Developed by Sega and released for the Megadrive/Genesis in 1990, Castle of Illusion Starring Mickey Mouse is a masterpiece platform game that has stood the test of time extremely well.
The game itself is pretty simple: running, jumping, climbing, and swimming, with Mickey on a quest to save Minnie Mouse from the evil witch Mizrabel.
Mickey’s main weapon is his bounce, which he can perform while jumping and which helps him defeat enemies. He can also pick up items, such as apples and marbles, to use as projectiles to throw at enemies.
To defeat Mizrabel, Mickey must find the “Seven Gems of the Rainbow”, each of which can found behind a door, in a different realm, protected by one of Mizrabel’s henchmen. There are six different – graphically distinct – stages (The Enchanted Forest, Toyland, The Storm, Dessert Factory, The Library, and The Castle), with a boss battle at the end of each.
Castle of Illusion still looks and plays great to this day. If I had any complaint it would be that the Megadrive doesn’t have transparent pixels (like the SNES does), which means that the designers had to make do with using ‘stippling’ in the water sections (which is ugly and makes the game look dated). Otherwise: it’s marvellous (still).
Conker’s Bad Fur Day was a surprising 2001 release – on the Nintendo 64 – for British developer Rare, in collaboration with Nintendo.
What is surprising about it is that it is an “adult” game – meaning: it contains cartoon characters behaving in ways that you don’t normally see in a Nintendo game, like vomiting on people’s shoes, making sexual innuendo, and using mild swear words.
The game begins with a cinematic Clockwork Orange-style scene, with Conker (a squirrel) looking over the top of a glass of milk as the camera slowly tracks backwards while a pseudo Beethoven musical score warbles away in the background. You know – or at least should know – at this point what kind of game this is going to be… And that is: extremely satirical, and with maybe a bit of a screw loose…
When Conker’s Bad Fur Day eventually gets going the first thing you have to do is get rid of Conker’s hangover, which is an unusual way of introducing a player to the game. Then you go on a surreal 3D platform adventure, full of Pythonesque characters, toilet humour, silly and poor taste jokes, endless tasks and puzzles, tons of film references, and of course the occasional boss battle (including one where you fight a giant turd).
Conker’s Bad Fur Day is a game that will appeal to adults who like puerile humour, and also to children as a “forbidden” game that “must not be played under any circumstances”, but they all do… It’s actually not that bad in terms of its ‘adult’ nature, and doesn’t contain anything too contentious, which is why Nintendo allowed Rare to make the game in the first place.
This is the 1979, black and white arcade game, Basketball, as developed and manufactured by Atari Inc. It had two trackballs on the cabinet – one for each player.
Atari Basketball is a one-on-one game with ridiculously simple controls and objectives. For a single coin you got a three minute game, and either played against the computer or a second player. Adding more coins gave you more time, and the aim was simple: score baskets; score points; be the highest scorer.
Compared to video games now Basketball looks a bit ridiculous, but – believe me – when this was in arcades in 1979 it was pretty dazzling stuff. In fact, this was one of the earliest video games I remember playing, and I also remember hurting myself on the trackball by nipping the skin on my hand between the trackball and the cabinet! It hurt a lot, which is why I remember it so well after so long has passed (40 years ago!)…
Atari Basketball was also one of the first two-player games I remember playing – against both my brother and my dad (my dad used to play basketball so this game was attractive to him). It’s definitely fun two-player, for a short while at least.
While this is nothing like the basketball games of today, it was an early, important seed in the genre. It was the first basketball game to use the side-on, high-angled view of the court, which you see all the time now. It wasn’t uncommon to see Atari Basketball cabinets in video game arcades up and down the United Kingdom in the early 1980s and it almost certainly had an considerable influence on other video games that followed it. Even if it does look a bit lame by today’s standards… 🙂
The third and final Horace game on the ZX Spectrum, written by William Tang and published by Sinclair/Psion in 1983.
Horace and the Spiders is yet another ‘clone’ game, this time copying Space Panic and also elements of Pitfall.
The game is split into two distinct stages. The first one sees Horace walking along a side-scrolling cavern and jumping over spiders that come his way, then climbing moving spider silk strands to cross a ravine. The second stage is a single screen platforms and ladders game where Horace must stomp holes in the web platforms so that spiders fall into them, and when they do he must stomp them again to kill them.
Like Hungry Horace and Horace Goes Skiing, Horace and the Spiders is a game that many see through rose-tinted spectacles – the memory of playing it as a kid is stronger than the game itself. In truth: it hasn’t aged well, and isn’t much fun to play nowadays.
But at least Horace himself has become iconic among Spectrum fans.
A further ‘official’ Horace game, called Horace in the Mystic Woods, was released for the Psion 3-Series palmtop range in 1995, but it wasn’t written by William Tang. Further to that, a ZX Spectrum conversion of Horace in the Mystic Woods was released by indie coder Bob Smith in 2010. Other fan-made Horace games exist too, including Horace Goes to The Tower, released in 2011. It seems that our love for Horace continues ever onwards, in spite of his rather chequered past…
Konami‘s Frogger was released into video game arcades in 1981 and was an instant hit with gamers.
The basic premise of Frogger is to guide a hopping frog over a road and a river, to reach a safe haven on the other side. The road is full of dangerous traffic that will squish the frog on contact. The only way of crossing the river is by jumping on a series of floating logs that move from left to right at varying speeds. It’s basically an amphibian assault course…
Get five frogs to their homes on the other side and you complete the stage. Bonus points are also awarded for catching and guiding other frogs home.
Every new stage sees the introduction of new and more dangerous hazards. The first stage is relatively easy, with a quiet road and fewer dangers on the river (there are diving turtles that you can only stand on for a limited time). By the second stage, the road is much busier, and there are now alligators to contend with on the water. Later stages also introduce otters and snakes as frog predators. There are so many ways to die in this game…
Frogger is a very simple game to play (requiring only a single joystick – no fire button needed), but feels very satisfying – the game is a masterwork of timing and design and is both challenging and absorbing. Frogger has seen a number of sequels over the years, plus the usual torrent of clones and tributes. It is undoubtedly one of the best and most fondly-remembered games of the early arcade years, and is still worth a play today.
This handheld conversion of Archer Maclean‘s classic IK+ was published in 2002 by Ignition Entertainment and is generally quite excellent.
The only real complaint I have is that the fighters are slightly oversized (in relation to the backgrounds), although you probably wouldn’t notice unless you’d played the C64 version, or Amiga/Atari ST versions. Those of us who have played the earlier versions might be slightly irked by this scaling discrepancy, because it gives the player less room to fight in. Does this affect gameplay adversely in this GBA conversion? No, no really. Yes, there is less room to fight in, but International Karate is more about close-quarters combat, and timing your moves correctly, than jumping all over the shop like in Street Fighter II. So the oversized characters aren’t really a major problem.
This GBA conversion seems to have more responsive controls than previous versions, probably because it runs at a higher frame rate. I’m not entirely sure if that’s true of not. One thing is true: IK+ on the GBA runs at a blistering pace. Later levels require zen-like skill to beat and are often over in seconds.
IK+ is excellent on the Game Boy Advance, although does have limited appeal. It is a game you can pick up, play and enjoy at any time, though.
The ZX Spectrum conversion of the Data East arcade game, Karnov, is a good example of a decent arcade conversion on the Spectrum.
The graphics are colourful, well-drawn, and avoid colour clash by using a black masking effect around the sprites. It’s quite a clever technique that works very well in this game.
Gameplay-wise: Karnov is an unforgiving arcade game, and this Spectrum conversion is marginally easier than its parent, helped in a perverse way by the frequent slowdown. It’s reasonable fun though and worth digging out if you like challenging platformers.
This terrible Spectrum conversion of the mighty arcade game, Kung-Fu Master, was developed by Ocean and published by US Gold in 1986.
It contains none of the thrills of the original arcade game… The animated figures in the game are slow, badly-drawn and badly animated. When anyone raises a leg in the game – to make a high kick – it looks more like they are trying to squeeze out a tricky fart than kick anyone… And that includes you. The animation is pathetic. The colour clash is also bad. As is the (part-time) scrolling. The sprites have a horrible, distracting judder too. It wouldn’t have hurt to use a few different colours to differentiate the levels too – they all look the same…
The gameplay is also a pale imitation of the original, which requires precision, skill, and good timing to beat, and is fun to play. This is just a turgid shuffle through a soup of frustration and slowness.
There are some great arcade conversions on the ZX Spectrum. Kung-Fu Master isn’t one of them.
The fifth and final Wally Week game, Three Weeks in Paradise was published by Mikro-Gen in 1986, for the ZX Spectrum and Amstrad CPC.
As the title suggests: this time there are three members of the Week family on this particular graphic adventure – specifically: Wally, Wilma and Herbert, trapped on a tropical island inhabited by cannibals.
Unfortunately Chris Hinsley – the guy who wrote this (and all the previous Wally Week games – except Herbert’s Dummy Run) – decided that only Wally would be playable. Wilma and Herbert remain only as motivation – you don’t get to play as them.
Three Weeks in Paradise plays similarly to Pyjamarama in that you can only carry two items at once, and that certain items do specific things (the bow and arrows let you fire an arrow, for example), which means having to think quite hard about what to carry and to where.
The tune that plays during the main game is quite jolly – a blatant rip-off of the theme from The Addams Family. And when the game slows down (which is quite often) the tune also slows down, which makes it sound unintentionally funny. Thankfully it can be switched on/off with a press of the ‘5’ key.
Something else that can be switched on or off is Wally’s infamous colour clash. The yellow attribute box that used to follow him around can now be switched off by pressing ‘3’. Funny that this feature would come at the end of the series. Oh well.
There were 48K and 128K versions of Three Weeks in Paradise made available. The 128K version had a small number of extra screens and an extra AY chip tune on the title screen. These grabs are from the 128K version.